Down to the way the sets look worn down, the way the clothes look and feel practical, and the way that the sound design makes the world feel fully realized. From top to bottom, this movie’s greatest achievement is just how real it feels, and it’s a cooperative effort from all corners of the creative team. The lighting of every scene is stunning, and everything he does brings a quality of realness to the film. What Fraser does with the frame is only matched by what he does with the colors inside it. Clearly, someone at Lucasfilm agreed because the director of photography Grieg Fraser was brought back for The Mandalorianon Disney Plus, and I’m glad they did.
Rogue One: A Star War Story ’s lookįrom the very beginning, Rogue One quickly establishes itself as the new bar standard for cinematography in Star Wars. A story that naturally brings to mind the question “why,” but is never brave enough to stand on its without the crutch of returning characters and distracting fan service. Rogue One: A Star Wars Story represents a simultaneously brave and incredibly safe outing. With the premiere of Andor on Disney Plus right on the horizon, I thought there was no better time than the present to revisit Gareth Edwards’ 2016 entry into the franchise.
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